The art historian, Pascal Rousseau, tells a story of fascination and offers the public rediscover the MAH collection in a new lightwith the complicity of the American artist Tony Oursler and his archives on the visual imaginations of hypnotism.
Power of attraction
What is this captivating capacity that a simple everyday object or a work of art can contain? At a time where the metaverse and augmented reality revolutionize our perceptionsthese questions already preoccupied the mind of Waldemar Deonna, the archaeologist who directed the Geneva Museum of Art and History from 1922 to 1951.
This exhibition explores his thoughts on the power of workstheir ability to capture our attention and to transport us, even virtually, through the ages.
Two-part exhibition
The first section of the exhibition, which brings together the two large palatine roomsis based on the research of Waldemar Deonna, in particular that developed in a 1925 article entitled “The auxiliary sciences of archaeology”, in which he returns to what can explain the mystery of power that objects of very different provenance, time and destination have on us.
In the second part of the tour, the American artist Tony Oursler, a pioneer of sculpture-videosuggests thehistory of visual imagination hypnotism through multimedia installations.
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